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Euphonium Articles

 
Baritone or Euphonium?
Compensating System
Choosing a Euphonium
Arthur Lehman Articles
Euphonia Magazine
 
RECOMMENDED:
Jazz Euphonium-Tuba CD: Modern Jazz Tuba Project - Live at the Bottom Line, includes Cherokee, Skylark, Sandu, Oleo, Blue Rondo a la Turk, others
Euphonium CD: Thomas Ruedi (brass band album) - Playing the traditional Blaydon Races with Sellers Engineering Band
Euphonium CD: Kevin Thompson - Telemann Fantasias - Unaccompanied fantasias (originally for flute)
Euphonium CD: John Clough (brass band album) - Performing Enrico Toselli's Serenade with Black Dyke Mills Brass Band
Tuba-Euphonium Ensemble: Symphonia 3 - Symphonia Fantastique; 18 players, fantastic playing!
Jazz Euphonium CD: Gus Mancuso and Friends - Nice recording of one of the earliest professional jazz euphoniumists.

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Review, Tuba and Euphonium Text: Studio Class Manual for Tuba and Euphonium by William Rose

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ROSE, William H.: Studio Class Manual for Tuba and Euphonium
Original publication: Houston, Texas: Iola Publications, 1980.

One of the greats of the tuba world has assured himself a place in the memory of Euphoniumists for years to come with this marvelous volume. Bill Rose's new Studio Class Manual for Tuba and Euphonium is a well thought out and highly readable sixty pages devoted to some of the commonly encountered questions of history, basics of performance, and the myriad problems of equipment choice and careers. of particular interest to Euphoniumists is Mr. Rose's chapter devoted to the baritone and Euphonium. Although this reviewer takes a slightly different tack in differentiating between the baritone and the Euphonium, William Rose's book contains a great deal of accurate information that is not always easy to obtain.

Alongside Harold Brasch's comprehensive tome, this Studio Class Manual belongs on the active reading and reference list of every lower brass instructor and every serious Euphonium student. Presently costing $16.00, it is available from:

http://www.tubaeuphoniumpress.com/c500.html

Review by Glenn K. Call

NOTE: this article is reprinted from Euphonia magazine, January-February, 1981, with permission of the publisher, Glenn Call.